Tomás Saraceno
Living at the Bottom of the Ocean of Air (Underwater Spider), 2018
Living at the Bottom of the Ocean of Air (Underwater Spider), 2018
Still: Courtesy the artist
Still: Courtesy the artist
Still: Courtesy the artist
Still: Courtesy the artist
Still: Courtesy the artist
Still: Courtesy the artist
Collection
Single-channel video installation, black and white, sound, 8:36 min
This video work focuses on a particular type of arachnid, the diving bell spider, also called Argyroneta aquatica. This species is the only known spider that lives almost entirely underwater, including resting, catching, and eating prey, mating, egg laying, and overwintering. Found in lakes, ponds, and marshes, a diving bell spider surfaces only briefly to replenish its air supplies. Surrounding its abdomen is an air bubble secured with a few threads of silk which the spider constructs to retain its oxygen supply and which resembles a diving bell. As the oxygen content of the diving bell is depleted, the spider returns to the surface to collect more air to replenish its underwater home. Rather than separating the aqueous from the atmospheric, this floating droplet of air is a permeable membrane across which the junction of those two worlds occurs.
The title of the work refers to a reflection by seventeenth-century Italian physicist Evangelista Torricelli describing life on the planet as life submerged at the “bottom of an ocean of air,” making a fundamental statement on barometric pressure and the weight of air. The hybridity of the Argyroneta aquatica which has adapted to live in extremely different environments, captures the artist’s interest in exploring possible transformations in human ways of inhabiting the planet, moving radically beyond the Anthropocene toward a shared and borderless conception of the earth. The underwater spider becomes an invitation for biospeculation. Saraceno asks, Will humans someday be able to live in and with the air?
Born in San Miguel de Tucumán, Argentina, in 1973. Lives in Berlin, Germany.
This video work focuses on a particular type of arachnid, the diving bell spider, also called Argyroneta aquatica. This species is the only known spider that lives almost entirely underwater, including resting, catching, and eating prey, mating, egg laying, and overwintering. Found in lakes, ponds, and marshes, a diving bell spider surfaces only briefly to replenish its air supplies. Surrounding its abdomen is an air bubble secured with a few threads of silk which the spider constructs to retain its oxygen supply and which resembles a diving bell. As the oxygen content of the diving bell is depleted, the spider returns to the surface to collect more air to replenish its underwater home. Rather than separating the aqueous from the atmospheric, this floating droplet of air is a permeable membrane across which the junction of those two worlds occurs.
The title of the work refers to a reflection by seventeenth-century Italian physicist Evangelista Torricelli describing life on the planet as life submerged at the “bottom of an ocean of air,” making a fundamental statement on barometric pressure and the weight of air. The hybridity of the Argyroneta aquatica which has adapted to live in extremely different environments, captures the artist’s interest in exploring possible transformations in human ways of inhabiting the planet, moving radically beyond the Anthropocene toward a shared and borderless conception of the earth. The underwater spider becomes an invitation for biospeculation. Saraceno asks, Will humans someday be able to live in and with the air?
Born in San Miguel de Tucumán, Argentina, in 1973. Lives in Berlin, Germany.
FIND MORE
Mark Wigely, Sticking to Saraceno: Anti- Architecture Air-play. PALAIS 28, 2018 https://studiotomassaraceno.org/on-air/
Dominique Gonzalez-Foerster and Tomás Saraceno “More-than-humans” Thyssen-Bornemisza Art Contemporary and Museo Nacional Thyssen-Bornemisza, Madrid. 2019. Article by Stefanie Hessler here
Tomás Saraceno — How to Entangle the Universe in a Spider Web. Flash Art, 2020. Article by Stefanie Hessler here
Tomás Saraceno, Arachnophilia, project website
Tomás Saraceno, Aerocene, project website
Lauren Hinkel, 'Aerocene' soars at the 47th World Economic Forum," Oceans at MIT, MIT News, 2017
Isabelle Su, Zhao Qin, Tomás Saraceno, Adrian Krell, Roland Mühlethaler, Ally Bisshop, Markus J. Buehler, "Imaging and analysis of a three-dimensional spider web architecture," in Interface, Journal of the Royal Society, Volume 15 Issue 146, September 2018
Tomeás Saraceno, Arachnid Orchestra, project website
Ana Teixeira Pinto, "Tomás Saraceno: Cloud Cities," in Domus, 2011
Dominique Gonzalez-Foerster and Tomás Saraceno “More-than-humans” Thyssen-Bornemisza Art Contemporary and Museo Nacional Thyssen-Bornemisza, Madrid. 2019. Article by Stefanie Hessler here
Tomás Saraceno — How to Entangle the Universe in a Spider Web. Flash Art, 2020. Article by Stefanie Hessler here
Tomás Saraceno, Arachnophilia, project website
Tomás Saraceno, Aerocene, project website
Lauren Hinkel, 'Aerocene' soars at the 47th World Economic Forum," Oceans at MIT, MIT News, 2017
Isabelle Su, Zhao Qin, Tomás Saraceno, Adrian Krell, Roland Mühlethaler, Ally Bisshop, Markus J. Buehler, "Imaging and analysis of a three-dimensional spider web architecture," in Interface, Journal of the Royal Society, Volume 15 Issue 146, September 2018
Tomeás Saraceno, Arachnid Orchestra, project website
Ana Teixeira Pinto, "Tomás Saraceno: Cloud Cities," in Domus, 2011