"otras montañas, las que andan sueltas bajo el agua" [other mountains, adrift beneath the waves]
Nadia Huggins & Tessa Mars
April 5 – November 2, 2025

Design: Pardo
TBA21–Academy
Ocean Space Venice
Exhibitions

On the horizon that sustains our planet’s countless life forms, the Ocean emerges as a shared space—both the origin and destination of contemporary emancipatory processes. Certain onto-ecological frameworks have moved in this direction, challenging the instrumentalization of knowledge and the compartmentalization of thought. However, for centuries, these processes have struggled to harness the energy required to unleash the latent potential of what certainly awaits us. From this crossroads, communities living at longitudes between 60º and 90º W and latitudes between 10º and 20º N have developed aesthetic strategies and tools that relate to other forms of life, seeking to engage with life-giving forces, accumulate experiences and, in doing so, shape new ways of being—otherness—both within ourselves and in our environment. Improvisation stands out as one of the most prominent aesthetic strategies in this region and is at work from the highest mountains above sea level to other mountains, those adrift beneath the waves. This exhibition, featuring works by artists Nadia Huggins and Tessa Mars, unites reflections that have been integral to their artistic practice from the very beginning with those that have surfaced during two years of work on The Current IV: Caribbean. It underscores the power of improvisation~freestyle as both a tool and an aesthetic strategy that can be used to transcend terrestrial and extractivist perspectives, reimagine systems for sustaining life, and grapple with entrenched notions of power. These three monumental tasks are approaching the horizon but will converge in the ocean, a shared space that sustains our planet’s life forms—our origin and our destination.
CURATOR
Yina Jiménez Suriel
 
ABOUT THE ARTISTS
Nadia Huggins was born in Trinidad and Tobago and grew up in St. Vincent and the Grenadines, where she is currently based. A self taught artist, she works in photography and, since 2010, has built a body of images that are characterized by her observation of and interest in the everyday. Her work merges documentary and conceptual practices, which explore ecology, belonging, identity, and memory through a contemporary approach focused on re-presenting Caribbean landscapes and the sea. Huggins'photographs have been exhibited in group shows in Canada, US, Trinidad and Tobago, Jamaica, Barbados, Ethiopia, Guadeloupe, France, and the Dominican Republic. She has had solo shows in US at KJCC/NYU, NYC and at The Betsy Hotel, Miami, and in Europe in London and at Now Gallery. Her work forms part of the collection of The Wedge Collection (Toronto, Canada), The National Gallery of Jamaica (Kingston), and The Art Museum of the Americas (Washington DC, USA).

Tessa Mars is a Haitian visual artist who explores gender, landscape, migration, and spirituality in relation to Haitian history. Working primarily in painting and papier maché, the artist takes distance from colonial narratives to reconnect to a Haitian perspective of the world and embrace other forms of collective belonging. Mars received a BFA from Rennes 2 University in France in 2006 and is now based in Haiti and San Juan Puerto Rico. She has had solo exhibitions at Le Centre d’Art and the French Institute in Port-au-Prince, Haiti, and has participated in collective exhibitions at Tiwani Gallery, London, UK; Denver Art Museum, CO; Art Africa Miami, FL; Ateliers ’89, Oranjestad, Aruba; Musée du Panthéon National Haïtien, Port-au-Prince, Haiti; 30th International Symposium of Contemporary Art of Baie-Saint-Paul, Canada; Alice Yard, Port of Spain, Trinidad and Tobago; and Cité international des arts, Paris, France. Tessa Mars was part of the first Haitian pavilion at the 54th Venice Biennale.