As part of our commitment to regenerative practices, we have partnered with
UreCulture to undertake a series of in-depth case studies examining the ecological and social impact of our collections and the commissioning processes behind them—both regenerative and challenging. These findings are consolidated in the
Ecological and Social Impact of the TBA21 Collection reports.
This initiative represents our dedication to transparency and self-reflection, as we seek to honestly evaluate our practices. The results highlight the positive contributions of these artistic endeavors while shedding light on areas for improvement to further reduce our ecological footprint.
The inaugural study focuses on the life cycle of Claudia Comte’s artworks within the TBA21 Collection
. Claudia’s collaboration with TBA21 began in 2018 during the TBA21–Academy expedition to New Zealand,
The Current II, led by Chus Martínez. This journey culminated in the exhibitions
After Nature in Madrid and
Underwater Cacti in Jamaica, and included a residency at the Alligator Head Foundation in Jamaica. This ocean conservation hub, a scientific partner of TBA21–Academy, deeply influenced Claudia’s
Underwater Cacti project, inspired by the foundation’s coral regeneration program.
Comte’s artistic practice delves into the history and memory of biomorphic forms, blending traditional handcrafting techniques with industrial machine processes. Her installations center around monumental wall paintings and sculptural series that draw inspiration from organic patterns and morphologies such as waves, sonar, rock strata, cacti, and coral reefs.
Case Study: Claudia Comte