TBA21 Thyssen-Bornemisza Art Contemporary
About
Back
About
Who we are
The world we want to see
How we work
Our journey to regenerative practice
Partners
Awards and Recognitions
Press highlights
People
Exhibitions
TBA21–Academy
Back
TBA21–Academy
About
The Current
Meandering
Confluence of European Water Bodies
Culturing the Deep Sea
OCEAN / UNI
Ocean Fellowship
Academy Exhibitions
Academy Events
Academy Commissions
Academy Residencies
Academy Radio
Collection
Back
Collection
About
Commissions
On view
Artists
Program
Publications
Archive
Back
Archive
MNTB Exhibitions
Ephemeropteræ
Performances
Commissions & Productions
TBA21 Sites - physical and digital
MNTB Madrid
Back
MNTB Madrid
MNTB Exhibitions
MNTB Public Program
Visit
Ocean Space Venice
C3A Córdoba
Back
C3A Córdoba
C3A Exhibitions
C3A Public Program
Visit
AHF Jamaica
Ocean-Archive.org
TBA21 on st_age
Highlights
Becoming Ocean: a social conversation about the Ocean
Clear, Lucid, and Awake - Spanish Artists from the TBA21 Collection
OcéanoFuturismos / Oceánicos
OcéanoFuturismos: Science Fiction prototyping future Ocean imaginaries
Open call! TBA21–Academy Artistic Residency in South America
Organismo | Art in Applied Critical Ecologies
Independent study program, Year One
Organismo | Public program
Independent study program, Year One
Otras montañas las que andan sueltas bajo el agua
Exhibition at Ocean Space - Venice
POROUS — Ports as Interspecies Dwelling
TBA21 at the 3rd United Nations Ocean Conference, Nice
Press

Imprint
Privacy
Accessibility
Newsletter

Instagram
Facebook
Twitter
Youtube
LinkedIn
EN
ES
Home
Menu

Alisa Andrasek
Mesonic Emission/Seroussi Pavilion Paris, 2007/2009

Thyssen-Bornemisza Art Contemporary, Transitory Objects, 2009 © Michael Strasser / TBA21, 2009
Thyssen-Bornemisza Art Contemporary, Transitory Objects, 2009 © Michael Strasser / TBA21, 2009
Thyssen-Bornemisza Art Contemporary, Transitory Objects, 2009 © Michael Strasser / TBA21, 2009
Thyssen-Bornemisza Art Contemporary, Transitory Objects, 2009 © Michael Strasser / TBA21, 2009
Thyssen-Bornemisza Art Contemporary, Transitory Objects, 2009 © Michael Strasser / TBA21, 2009
Collection
Alisa Andrasek

SLS (Selective Laser Sintering) model
2 models: 24.8 x 20.5 x 15 cm and 22.3 x 16 x 15 cm


For the Seroussi Pavilion we looked into self-modifying patterns of vector fields based on behaviors of electro-magnetic fields (EMF). The logics of attention/repulsion were computed in plan and then “lifted” via series of structural micro-arching sections through different frequencies of the sine function. Our proposal for the new pavilion is inserting itself as a “ground implant”. It is acting as a connective tissue emanating towards series of objects on the site towards an assemblage of a diverse yet coherent whole. The logic of distribution algorithm is based on the above mentioned vector field. It is capable of responding to series of variable field conditions. Its ability to “grow” around the existing large trees or adjust its orientation allows for finer nesting into particular host conditions of the site. Extended radius of influence can weave the fabric of new implanted ground into existing landscape pathways. – the artist in conversation with Daniela Zyman


*in Croatia | Living and working in London, United Kingdom
Artist's website
http://www.biothing.org
RELATED PROGRAM
Museo Nacional Thyssen-Bornemisza, Madrid (CLONE)
We Passed Through Earth Lightly as Water The Current III: Mediterraneans
Sardinia
Artists
Alisa Andrasek