About InvernomutoSimone Bertuzzi (b. 1983) and
Simone Trabucchi (b. 1982 Italy) have been collaborating as Invernomuto since 2003, focusing primarily on moving image and sound, while often integrating sculpture, performance, and publishing into their practice.
The ongoing, long-term research project
Black Med was initially conceived for Manifesta 12: The Planetary Garden (Palermo, 2018). Invernomuto won the first Museion Prize (2017) and were finalists for the MAXXI Bvlgari Prize (2018).
Recent exhibitions include Parco Archeologico, Pompei (2021); Liverpool Biennial (2021); 58th October Salon – Belgrade Biennial (2021); 58th Venice Biennale (2019); NN Contemporary Art, Northampton (2019); Galleria Nazionale, Rome (2019); Pinksummer gallery, Genoa (2019); Tate Modern, London (2018); Manifesta 12, Palermo (2018); Nuit Blanche 2017, Paris (2017). Their work has been shown, among others, at TATE (London), Villa Medici (Rome), Alserkal Avenue (Dubai), Kunsthalle Wien (Vienna), Unsound Festival (Krakow), Kunstverein München (Munich), Bozar (Brussels), FAR° (Nyon), Centre d’Art Contemporain (Geneva), Bétonsalon (Paris), Live Arts Week V (Bologna), Istituto Italiano di Cultura (Addis Abeba), Fondation Ricard (Paris), Black Star Film Festival (Philadelphia), Centre Pompidou (Paris), Fondazione Sandretto Re Rebaudengo (Turin), Hangar Bicocca (Milan), No Fun Fest 2009 (New York).
The Current III: MediterraneansWith the working title
"Mediterraneans: ‘Thus waves come in pairs’ (after Etel Adnan),” the first stream of
The Current III cycle is led by Barbara Casavecchia as a transdisciplinary and transregional exercise in sensing and learning with by supporting situated projects, collective pedagogies, and voices along the Mediterranean shores across art, culture, science, conservation, and activism.