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Mathilde ter Heijne
Woman to go, 2005

Installation view: Abundant Futures. Works from the TBA21 Collection, Centro de Creación Contemporánea de Andalucía C3A, Córdoba, Spain, 2022, photo: Rafael Suarez | TBA21

Photo: Juan Pablo Murrugarra

Installation view: Mathilde ter Heijne, Susanne Vielmetter Los Angeles Projects, Los Angeles, USA, 2006 | Photo: Robert Wedemeyer

Mathilde ter Heijne

Collection

Atopia MAZ Guadalajara

B/w offset prints (postcards), metal racks
TBA21 Thyssen-Bornemisza Art Contemporary Collection

The title of Mathilde ter Heijne’s work Woman to go can be taken quite literally: visitors can choose between 180 different postcards portraying women and walk away with any number of images they select. The postcards depict women who lived between 1839, when the first daguerreotypes were made, and the 1920s, a period marked by the rise of women’s movements. Ter Heijne began searching and collecting these photographs in museum archives around the world in 2001. Each photo was taken as an ethnographic record. The identity of the persons has since been lost or was not recorded, or else, the archives in which their names were registered never correlated with the photographs. Perhaps they were never considered as individuals, but rather representatives of their societies, the attributes of their husbands or fathers, or the property of their masters.

The back of each portrait records brief biographies of women from the same epoch; lives which, considering the conditions of the time, could be described as extraordinary. The subjects of these biographies include Aletta Jacobs, one of the first female doctors in the Netherlands, the Zulu queen Nandi, and the Palestinian writer May Ziadeh. Their stories are mostly fragmented and seldom completely documented. Through the loose and associative conjunction of meticulously researched biographies and anonymous photographs, the artist poses a question: Why did these women, in spite of their achievements, not claim their rightful place in history? Woman to go rewrites these women back into history and calls for an imaginary assembly of women whose lives have been discarded, made invisible, and subjugated. By taking the photographs away, the public engages with their stories and spreads them further.

PAST LOANS

Group exhibition: Abundant Futures
Venue: C3A Centro de Creación Contemporánea de Andalucía, Córdoba
Curator: Daniela Zyman
Exhibition 1 April 2022 - 5 March 2023

Laurel Oldach, “What’s with Wikipedia and women?”, in The Member Magazine of the American Society for Biochemistry and Molecular Biology ASBMBToday, March 8, 2022

Michelle Caswell, Marika Cifor, "From Human Rights to Feminist Ethics: Radical Empathy in Archives," in Archivaria, The Journal of the Association of Canadian Archivists, 2021

Saidiya Hartman. Wayward Lives, Beautiful Experiments: Intimate histories of social upheaval, New York: W. W. Norton and Co., 2019

Sarah Jaffe, "All Organizing Is Magic," Verso Blog, 2019

Eileen Hunt Botting, “Mary Wollstonecraft, Bringing down the patriarchy”, in Aeon, July 25, 2018

Silvia Federici on the #MeToo Movement, video, e-flux, 2018

"Every Woman Is a Working Woman," Silvia Federici interviewed by Jill Richards, Boston Review, 2018

Allan Sekula, "The Body and the Archive , October," no. 39, Winter 1986: 3 – 64

The History of Postcards

Women Footprint in History, multimedia timeline

Artist's Website

terheijne.net

Born in Strasbourg, France, in 1969. Lives in Berlin, Germany.

RELATED PROGRAM

Video: Atopia – Migration, Heritage and Placelessness

Artists

Mathilde ter Heijne

Mathilde ter HeijneWoman to go, 2005

Mathilde ter Heijne
Woman to go, 2005