Purple, 2017
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
Still: Smoking Dogs Films | Courtesy Lisson Gallery, London & New York
TBA21–Academy
Commissions
Collection
Six-channel video installation (color, sound), purple carpet, wall paint, seating
61 min (videos)
Overall dimensions variable
Commissioned by the Barbican, London and co-commissioned by Bildmuseet Umeå, Sweden, TBA21–Academy, The Institute of Contemporary Art/ Boston, Museu Coleção Berardo, Lisbon and Garage Museum of Contemporary Art, Moscow
Thyssen-Bornemisza Art Contemporary Collection
For over three decades British artist, writer, theorist, and film director John Akomfrah has been examining the politics of race, identity, and post-colonial approaches. His most recent cinematic installations, Vertigo Sea, shown at the Venice Biennale in 2015 and Purple (2017), are the first two works in a planned quartet addressing the aesthetics and politics of matter. While Vertigo Sea was a historical tribute to the ocean – devoted to topics including the histories of whaling, international migration, the trans-Atlantic trade, and globalization –Purple delves into climate change and its effects on human communities, biodiversity, and the wilderness.
True to his past approaches, Akomfrah draws on hundreds of hours of archival footage, here of disappearing landscapes: from the hinterlands of Alaska to Arctic Greenland and the volcanic Marquesas Islands in the South Pacific. The artist understands archival documentation to be a memory bank, connected to the mortality of people and places. Images, figures, and moments are captured because the filmmaker, whether artist or amateur, seeks to make them immortal, a quality that is enshrined in our psyche and is the ultimate function of documentation. Through the vibrant, multi-layered visuals of Purple, Akomfrah sets a dialog in motion exploring the irreversible impact of human activity. – Alicia Reuter
61 min (videos)
Overall dimensions variable
Commissioned by the Barbican, London and co-commissioned by Bildmuseet Umeå, Sweden, TBA21–Academy, The Institute of Contemporary Art/ Boston, Museu Coleção Berardo, Lisbon and Garage Museum of Contemporary Art, Moscow
Thyssen-Bornemisza Art Contemporary Collection
For over three decades British artist, writer, theorist, and film director John Akomfrah has been examining the politics of race, identity, and post-colonial approaches. His most recent cinematic installations, Vertigo Sea, shown at the Venice Biennale in 2015 and Purple (2017), are the first two works in a planned quartet addressing the aesthetics and politics of matter. While Vertigo Sea was a historical tribute to the ocean – devoted to topics including the histories of whaling, international migration, the trans-Atlantic trade, and globalization –Purple delves into climate change and its effects on human communities, biodiversity, and the wilderness.
True to his past approaches, Akomfrah draws on hundreds of hours of archival footage, here of disappearing landscapes: from the hinterlands of Alaska to Arctic Greenland and the volcanic Marquesas Islands in the South Pacific. The artist understands archival documentation to be a memory bank, connected to the mortality of people and places. Images, figures, and moments are captured because the filmmaker, whether artist or amateur, seeks to make them immortal, a quality that is enshrined in our psyche and is the ultimate function of documentation. Through the vibrant, multi-layered visuals of Purple, Akomfrah sets a dialog in motion exploring the irreversible impact of human activity. – Alicia Reuter
John Akomfrah talks about art, climate change and how he drew inspiration from his own life for his new commission, premiered at the Barbican in London.
John Akomfrah is an artist and filmmaker, whose works are characterised by their investigations into memory, post-colonialism, temporality and aesthetics and often explores the experiences of migrant diasporas globally. Akomfrah was a founding member of the influential Black Audio Film Collective, which started in London in 1982 alongside the artists David Lawson and Lina Gopaul.
This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License.
This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License.
A talk between John Akomfrah, Chus Martínez, Markus Reymann and Francesca Thyssen-Bornemisza, on the occassion of the exhibition at the Museo Nacional Thyssen-Bornemisza in Madrid.