Tuftings, 2017-2024.
Photo: Imagen Subliminal
C3A Córdoba
CRISTINA LUCAS
Machine-embroidered cloth monotype
Spain and the Rif, 1939; Scandinavia, 1945; Central Europe,1945; Korea and Japan, 1953; Caribbean, 1980s; Vietnam, 1975; Balkans, 2001; Afghanistan, 2017; Middle East, 2024; Ukraine, 2024
TBA21 Thyssen-Bornemisza Art Contemporary has commissioned the Ukraine tufting for the exhibition The Ecologies of Peace curated by Daniela Zyman at the Centro de Creación Contemporánea de Andalucía, Córdoba, 2024
The seemingly innocuous nature of cartography belies its profound influence in shaping worldviews and reinforcing power structures. Beyond mere geographical tools, maps are intricate artifacts that wield influence over our understanding of the dynamics of modernity, colonialism, and geopolitics. They serve as symbolic scaffolds of domination, conveying hierarchical conceptions that solidify political and onto-epistemological conditions such as land/ocean, West/East, or Global South/Global North. Through their conventions of representation and naming, maps perpetuate a Eurocentric worldview, overshadowing alternative cosmologies, cultural practices, and diverse ways of life.
Within this context, Andalusian artist Cristina Lucas engages with issues of geographical representation, world systems, and political economy, deploying a stark minimalist vocabulary. Her 3-meter minimal sculptures outline the three major historical trade routes, converging past, present, and future. The first route delineates the journey of Ferdinand Magellan and Juan Sebastián Elcano, symbolizing the colonial era and the partition of the world between Spain and Portugal. The second traces the current trade routes traversing the Panama and Suez Canals, representing the contemporary flows of global commerce and what Laleh Khalili terms “the sinews of war and trade.” Intriguingly, the third route anticipates a future shaped by environmental breakdown, envisioning the path through the Northwest Passage, which was open to marine shipping for the first time in the summer of 2007 and is expected to become increasingly navigable and ice-free. Round Around serves as a visual account of how maritime transportation is not simply an enabling companion of trade but central to global capitalism, facilitating the accumulation of capital while perpetuating colonial regimes of profit, law, and administration.
Born in Úbeda, Andalusia, Spain, in 1973. Lives and Works in Madrid, Spain.
Machine-embroidered cloth monotype
Spain and the Rif, 1939; Scandinavia, 1945; Central Europe,1945; Korea and Japan, 1953; Caribbean, 1980s; Vietnam, 1975; Balkans, 2001; Afghanistan, 2017; Middle East, 2024; Ukraine, 2024
TBA21 Thyssen-Bornemisza Art Contemporary has commissioned the Ukraine tufting for the exhibition The Ecologies of Peace curated by Daniela Zyman at the Centro de Creación Contemporánea de Andalucía, Córdoba, 2024
The seemingly innocuous nature of cartography belies its profound influence in shaping worldviews and reinforcing power structures. Beyond mere geographical tools, maps are intricate artifacts that wield influence over our understanding of the dynamics of modernity, colonialism, and geopolitics. They serve as symbolic scaffolds of domination, conveying hierarchical conceptions that solidify political and onto-epistemological conditions such as land/ocean, West/East, or Global South/Global North. Through their conventions of representation and naming, maps perpetuate a Eurocentric worldview, overshadowing alternative cosmologies, cultural practices, and diverse ways of life.
Within this context, Andalusian artist Cristina Lucas engages with issues of geographical representation, world systems, and political economy, deploying a stark minimalist vocabulary. Her 3-meter minimal sculptures outline the three major historical trade routes, converging past, present, and future. The first route delineates the journey of Ferdinand Magellan and Juan Sebastián Elcano, symbolizing the colonial era and the partition of the world between Spain and Portugal. The second traces the current trade routes traversing the Panama and Suez Canals, representing the contemporary flows of global commerce and what Laleh Khalili terms “the sinews of war and trade.” Intriguingly, the third route anticipates a future shaped by environmental breakdown, envisioning the path through the Northwest Passage, which was open to marine shipping for the first time in the summer of 2007 and is expected to become increasingly navigable and ice-free. Round Around serves as a visual account of how maritime transportation is not simply an enabling companion of trade but central to global capitalism, facilitating the accumulation of capital while perpetuating colonial regimes of profit, law, and administration.
Born in Úbeda, Andalusia, Spain, in 1973. Lives and Works in Madrid, Spain.