Metal and painted cement
Overall dimensions variable
TBA21 Thyssen-Bornemisza Art Contemporary Collection

"La vida breve (GRANDA GRANADA) was initially conceived for Àlvaro Urbano's solo show at Travesia Cuatro in Mexico in two chapters. The first at Travesía Cuatro’s space in Guadalajara, and the second in Mexico City. In both, Álvaro Urbano imagined an encounter between the architect Luis Barragán and the poet Federico García Lorca. As a sort of guide, Álvaro dreamed of the mute witnesses of the encounter, the plants, the floors, and the architecture as an empty memory of those who left. The starting point for this story was Casa Franco, designed in 1929 by the tapatío architect. The Moorish influence can be perceived in the patios, doors, and woodwork, as well as in the use of light and the presence of water in the small garden, elements that fascinated Barragán on his trip to Andalusia.

"The discovery gave me a sensation not unlike the one I had when, walking through a narrow, dark tunnel in the Alhambra, I was given serene, quiet and solitary, the beautiful courtyard of the Myrtles of that ancient palace. It contained what a successful garden should contain: nothing less than the entire universe. Such a memorable epiphany has never left me and it is not by chance that, since the first garden I created in 1941, all those that have followed have humbly tried to echo the immense lesson of the plastic wisdom of the Moors of Spain."  – Luis Barragán.

Barragán’s infatuation with the city of Granada and his confessed admiration for García Lorca are embodied in a pomegranate blossom that Urbano finds in the Casa Jardín Ortega in Mexico City.

"Features of the pomegranate blossom. The pomegranate blossom is solitary, although it is sometimes found in groups of two or three buds at the end of the branches. The pomegranate flower is hermaphroditic, male and female at the same time. The pomegranate blossom grew in the capital of al-Andalus, which we now call Granada. The pomegranate blossom sprang from the deep red blood of the goddess Aphrodite." – Isabel Abascal.

During the summer of 2022, Álvaro Urbano visited the Huerta de San Vicente, the house where the García Lorca family spent their summers in Granada and where Federico wrote Yerma, Bodas de sangre and Romancero gitano. The poet refers to the balcony of his bed-chamber in the Huerta as the place where the city appeared before him in all its splendor “… in front of my balcony, stretched out in the distance with a beauty never equaled”.

Entering Federico’s domestic intimacy, Álvaro perceived the tension between memory and myth.
The memory of Urbano makes the encounter possible: Federico and Luis in Granada in the summer of 1924. In Mexico City, the link between Lorca and Barragán took the form of a garden, plants that Álvaro found in the poet’s poems and the architect’s gardens, and which sought to reach each other. – Travesia Cuatro