Atif Akin reflects on the contemporary condition of mobility through the lens of architecture, museology, genealogy, genetics, and code on the occassion of Olafur Eliasson's project
Green light–An artistic workshop at Thyssen-Bornemisza Art Contemporary in 2016.
Atıf Akın is an artist and designer living in New York. His work examines science, nature, mobility, and politics through an (a)historical and contemporary lens. Through a series of activities made up of research, documentation and design, Akın’s work considers transdisciplinary issues, through a technoscientific lens, in aesthetic and political contexts. Over the past ten years, he has been teaching in İstanbul, Europe, and the US. Currently he is Associate Professor of Visual Arts at the Mason Gross School of the Arts of Rutgers University. He has lectured at the New School, SVA, City College, Northeastern University, CUNY Graduate Center, and Northwestern University.
Akın has a private studio in New York, and works and exhibits actively in the US, as well as Europe, Turkey and the Middle East. He was the recipient of the 2015 apexart Franchise Program award in New York, and the organizer of
Apricots from Damascus, on behalf of apexart, and co-produced and hosted by SALT in İstanbul. His project took part in the
public programming of Olafur Eliasson’s
Green light project, hosted by TBA21 in Vienna. With the same institution, he embarked on an expedition to research nuclear test sites in French Polynesia. Part of his ongoing long term research-driven art project on nuclear mobility and archaeology,
Mutant Space, is exhibited at the 2016 Design Biennial in the Archaeology Museum of İstanbul.