The Morning Line – Festival for Spatial Sound and Advanced Music Composition | June 2011, Vienna


"Not light, but darkness visible." 

The Morning Line proposes a ruin from the future, a new type of architecture whose function cannot only be inferred just through use and acoustic immersion, but by reading it. Artist Matthew Ritchie, architects Aranda\Lasch and Arup AGU have worked together to integrate science, art, architecture, music and film into the first semasiographic structure. Simultaneously generating itself and falling apart, the 10 meter high and 20 meter long anti-pavilion, built of 20 tons of black coated aluminum, is not an enclosure, but an opening up of the performance space. It is equipped with 41 Meyer speakers, controlled by an advanced multispatial audio system designed by Tony Myatt from the Music Research Centre of York University, who have created a parallel universe of sonic architecture.

For Vienna, sound curator Franz Pomassl has invited an international line-up of composers to conceive of and perform live new three-dimensional sound diffusions for The Morning Line, commissioned by TBA21.
Duration
June 7–11, 2011
PROGRAM
THE MORNING LINE OPENING 
June 7 at 7 pm with live performances by 
Christian Fennesz, Zavoloka, Carsten Nicolai

FESTIVAL FOR SPATIAL SOUND AND ADVANCED MUSIC COMPOSITION 
June 8–11 
Live Acts, Performances & Premieres
June 8 at 7 pm 

Yasunao Tone, Carsten Nicolai, Franz Pomassl
June 9 at 7 pm 

Peter Zinovieff, Tommi Grönlund & Petteri Nisunen, Zavoloka
June 10 at 7 pm 

Florian Hecker, Terre Thaemlitz, Finnbogi Petursson /& Ghostigital
June 11 at 12 noon 

Matinée Batuhan Bozkurt, Erdem Helvacioglu, Mehmet Can Özer, Bryce Dessner
June 11 at 7 pm 

Zsolt Ojelnik, Cevdet Erek, Alexei Borisov, Christian Fennesz
Location
Schwarzenbergplatz, 1010 Vienna
Supported by
Wiener Städtische Versicherungsverein