We use cookies to provide you with the best service. This includes cookies that are necessary for the operation of the website. In addition, you are free to decide whether to accept cookies that help improve the performance of the website (Marketing).
Ragnar Kjartansson, born in 1976 in Reykjavík, Iceland, is a renowned contemporary artist best known for his performance-based, immersive works that intertwine music, video, and visual art. Growing up in a family steeped in the world of theater—his mother was an actress and his father a director and playwright—Kjartansson was exposed to the nuances of performance from an early age. This environment shaped his understanding of repetition, time, and emotional depth, which would later become central themes in his art.
Kjartansson’s formal education took place at the Iceland Academy of Arts, followed by studies at the Royal Academy of Arts in Stockholm. In the early stages of his career, his works blended elements of theater, music, and visual art, demonstrating an innovative approach to storytelling. His work quickly gained international recognition with The Visitors (2012), a video installation featuring nine musicians performing a song in different rooms of a house. The piece became iconic for its emotional depth, exploring themes of isolation, connection, and the passage of time.
Throughout his career, Kjartansson has created works that delve into melancholia, repetition, and the search for beauty in the mundane. His performances often blur the lines between art and life, creating spaces where the audience is invited not just to observe but to experience. His work has been exhibited at prestigious institutions such as the Guggenheim Museum in New York, the Barbican Centre in London, and the Louisiana Museum of Modern Art in Denmark.
Kjartansson's connection to TBA21 began in 2007 with the co-commissioning of God, a work created in collaboration with The Living Art Museum in Reykjavík. This partnership blossomed in the years that followed, culminating in major exhibitions such as The Palace of the Summerland (2014), which transformed the TBA21 Augarten venue into a live studio where Kjartansson and his collaborators filmed and performed.
Ragnar Kjartansson continues to create work that challenges perceptions of art and performance. His unique approach to blending music, theater, and visual art offers profound insights into the complexity of human emotion and the ways in which time and repetition shape our lives.