We use cookies to provide you with the best service. This includes cookies that are necessary for the operation of the website. In addition, you are free to decide whether to accept cookies that help improve the performance of the website (Marketing).
Daniel Otero Torres (b. 1985, Bogotá) is a Paris-based multidisciplinary artist whose work spans sculpture, installation, ceramics, painting, and drawing. His practice is anchored in drawing, which serves as the connective thread across his diverse media. Renowned for his photorealistic renderings on monumental cut-out steel structures, Otero Torres explores the interplay between material and context through a unique technique that blurs the line between drawing and sculpture.
His imagery often fuses archival materials, historical sources, and contemporary media into composite portraits that reflect on resistance, revolution, and collective memory. In recent years, ecological concerns have emerged in his work, engaging with themes of environmental justice and the impact of global capitalism on indigenous communities and biodiversity.
Otero Torres has exhibited widely at prestigious venues and events including the 60th Venice Biennale (2024), Lahore Biennial (2024), Currier Museum of Art (2024), Les Abattoirs (2024), Kyiv Biennale (2023), Lyon Biennial (2022), Palais de Tokyo (2021), MACAAL (2020), and Espacio 23 (2019), among others.
He has held residencies at Villa Belleville, Cité des Arts, and Moly-Sabata, and received accolades such as the Hors les murs award from the French Institute and the Prix Rhône-Alpes de la Jeune Création.