Regina de Miguel

Regina de Miguel’s (b. 1977, Málaga) interdisciplinary artistic practice is characterized by research and development of processes aimed at the production of knowledge and hybrids objects. The critical analysis of the supposed objectivity of the devices of representation of science, as well as of the conditions of production of scientific knowledge, is one of the main discursive threads of her work. From a methodical approach, she establishes complex networks of connections that are also nourished by the philosophy of science, ecofeminism, speculative fiction, and terror to give rise to theoretical, existential, and poetic displacements that operate from fragility as a form of resistance.